GENOSIDRA A.I NOISE TERROR FEAT. AUDREY CHEN @CCK Ciclo Ruido

AI Noise Terror 

Transdisciplinary mostro performance that integrates Artificial Intelligence images in constant reaction and relation with the maximalist and visceral sound design that emerges in a complex distorted soundscapes and a hybrid creature makeup inspired by different images generated by the Artificial intelligence. Al these different aspects of the piece collapse is an immersive experience that dialogue and interact with an extended idea of organicity. 

This project has premiered two transdisciplinary pieces, the first one in remote collaboration with Audrey Chen at the festival ‘’Ruido’’ That took place in the CCK (Centro Cultural Kirchner). An the other, commissioned by NMOP (New Music on the point) and CASo (Centro de Arte sonoro de la casa del bicentenario) for a particular chamber ensemble. Both pieces integrated Artificial intelligence generated Visuals made by Martin Carpanetto, and hybrith creature performance makeup by Orkgotik, one of the most recognized drag artist in south America

Genosidra AI Noise Terror + Audrey Chen

This piece was a live performance that worked remixing and redesigning a sound piece improvised by audrey chen, and reconfiguring a new form that includes visuals and performance. During the OMI residence where Genosidra and Audrey Chen coincided, the idea of a Psy-fi Mostro sound design as a core inspiration of a piece . this piece is a long form of different stages dramaturgical moments, creating particular dimensions between the sound, the image and the performance 

Styling by Orkgotik / Visuals A.I Generated by Martín Carpaneto / Lights by Shun

video teaser Link:

‘’Matasanos’’ for ensemble and installation

This piece Was commissioned by the CASo, (centro de Arte Sonoro) and NMOP (new music on the point) It was composed for 3 percussionists, trombone and Baritone Sax and a light and a sculpture.. This piece was inspired on a very particular context. Orkgotik and genosidra are both Colombians, and their background came from oil extraction places, were their families migrate and where rased, in the early 80’s in puerto boyacá, hometown of Genosidra’s family there was varios cases of medical bad practices where few patients died in questionable situations, the locals made some movilizations and they argued and named ‘’Matasanos’’ to the whole medical system that was brought by Texaco, the oil company that was exploiting the zone. this piece is a sort of wake, ritual and strike in the same scenario, the aesthetic was created in the idea of a dystopian oleoduct and extractionist negligence.

Performers: Rosa Nolly (saxo barítono), Daniel Iván Bruno (trombón), Carola Zelaschi, Luciana Rizzo y Ariel Invernizzi (percusión) y Genosidra AI Noise Terror (electrónica) Visuales: Martin Carpaneto, Iluminación: Shun, Instalación y vestuario: Orkgotik & IAN

video teaser